In the 1980s I worked for a company that produced coffee-table books, some of them instructional, and the company took on a project to produce DIY books to be sold in Germany and France as well as the UK. No one seemed to have noticed that in Germany and France they wire and plumb differently. We hired a couple of consultants who got expenses-paid trips to London to explain things, and the more we talked, of course, the more differences became apparent.
Doors, for example. An English door is basically a rectangular thing with straight edges. A German door has rebates, often more than one, matching rebates in the frame: it keeps out draughts. The hinges are different too. I visited Germany at the time, and took in some art and some castles, but what seriously impressed me most were the doors. And the windows. They were streets ahead of anything I was familiar with in the UK. I was in Germany last week, which is why I have their doors on my mind.
A significant factor in the current UK housing crisis – quite apart from the lack of commitment over decades to building social housing, and the absurdity of ‘affordable’ housing – is the dilapidation of a large part of the UK housing stock. Our cars and laptops and coffee-shops and fashion match those of the rest of Europe, but the houses we live in are generally more decrepit and therefore more expensive to renovate or even keep in good repair (besides being insanely expensive in the first place).
For example, Buckingham Palace, comprising 755 rooms and lived in by the Queen for only a part of each year, now needs major refurbishment (new wiring, new plumbing) at a cost of £37 million. It hasn’t been redecorated since 1952. (What is the point of having £34 million in the bank – the Queen’s wealth, according to the 2015 Sunday Times Rich List – and not having fun painting the throne room pink and yellow, and polka dots in the state banqueting room?) Who has allowed the place to get into this condition – the government, the Royal family? And who now pays?
The Royal Collection (‘being the works of art held by the Queen in right of the Crown and held in trust for her successors and for the nation’) is large: its website has records for over 250,000 objects. A fraction of these have been seen by the public. The collection includes a couple of Titians, 27 works by Rubens, 33 by Van Dyck, 69 by Rembrandt, 237 by Canaletto and 567 by Leonardo Da Vinci (the latter including a drawing, c.1510, titled ‘A Cloudburst of Material Possessions’). As a contribution towards the £37 million, couldn’t some be sold? Does the Royal family (does anyone) really need over 230 works by Canaletto? These are not rhetorical questions. A little less Canaletto – I don’t think they’d even notice.