In 1937 James Agee applied for a Guggenheim Fellowship. He listed the following projects under the heading ‘Plans for Work: October 1937’, adding ‘I am working on, or am interested to try, or expect to return to, such projects as the following.’ In the following section of his application he wrote in more detail about each of the projects.
An Alabama Record.
A story about homosexuality in football.
Hung with their own rope.
Notes for color photgraphy.
A new type of stage-screen show.
Three or four love stories.
A new type of sex book.
A study in the pathology of ‘laziness’.
A new type of horror story.
Stories whose whole intention is the direct communication of the intensity of common experience.
‘Musical’ uses of ‘sensation’ or ‘emotion’.
Collections and analyses of faces; of news pictures.
Development of new forms of writing via the caption; letters; pieces of overheard conversation.
A new form of story: the true incident recorded and an analysis of it.
A new form of movie short roughly equivalent to the lyric poem.
Conjectures of how to get ‘art’ back on a plane of organic human necessity, parallel to religious art or the art of primitive hunters.
A show about motherhood.
Pieces of writing whose rough parallel is the prophetic writings of the Bible.
Uses of the Dorothy Mix Method; the Voice of Experience: for immediacy, intensity, complexity of opinion.
The inanimate and non-human.
A new style and use of the imagination: the exact opposite of the Alabama record.
A true account of a jazz band.
An account and analysis of a cruise: ‘high’-class people.
Portraiture. Notes. The Triptych.
City Streets. Hotel Rooms. Cities.
A new kind of photographic show.
The slide lecture.
A new kind of music. Noninstrumental sound. Phonographic recording. Radio.
Extension in writing; ramification in suspension; Schubert 2-cello Quintet.
Analyses of Hemingway, Faulkner, Wolfe, Auden, other writers.
Analyses of Kafka’s Trial; various moving pictures.
Two forms of history of the movies.
Reanalyses of the nature and meaning of love.
Analyses of miscommunication; the corruption of idea.
Moving picture notes and scenarios.
An ‘autobiographical’ novel.
New forms of ‘poetry’.